The original last two aspects are that shiva dancing in the golden hall of the temple, the architect’s structure was most relating to a curve of the Natyamantapas sculpture was the vast premises in the temple. These sculptures are being implicit as the Lord shiva dancing, Goddesses Saraswathi plays veena, Indra the flute, Brahma with cymbals, Vishnu the mridangam and Goddesses Lakshmi sings, and other gods and demi-gods all stands around watch and hear the music of the divine choir. This faithful a performance of this divine theme opened an outpouring of imagination of the the achitects who designed the temples, result of the panels depicting the rock-cut architecture these temples imposed by Chalukya, Pallavas, Rashtrakoota, Chola, Hoysala, Chandella, Sena, Kakatiya and Vijayanagar.
